I like supernatural, I like monsters...
我爱超自然和怪兽...
"alien" was the first movie
《异形》是我第一部...
That I legitimately thougt I had a disease afterward.
看完感觉自己生病了的电影
John carpenter's "the thing" is the greatest monster movie
约翰·卡朋特的《怪形》是影史上最棒的
Ever made.
怪物电影
The world of "a quiet place" felt very real.
《寂静之地》的世界观非常真实
Even an audience member, what you're drawn in with
即使只是个观众,你所沉浸的世界...
Is that you can't make a sound.
就是一点动静都不能出
I don't think of king kong as a monster
我不会把金刚看做怪物
Because you love him.
因为你会爱上他
The real monsters are those bastards shooting him.
真正的怪物是朝他开枪的那帮混蛋
It's a complete metaphor for the tribulations
整个电影就是对黑人男性...
Of the black male in american white society.
在美国白人社会中所受苦难的象征
Monsters are a different thing to different people.
对不同的人来说怪物都有不同的意义
Some people are afraid of that huge ugly monster,
有些人害怕那些巨大丑陋的怪物
And some people are afraid of the existential monster.
有些人害怕涉及人类存在主义的怪物
But if you can't kill it, well, there's no real story.
但如果怪物杀不死,就没故事可言了
翻译/制作：@黑路易
伊莱·罗斯的恐怖历史
怪兽
Horror is a big tent
恐怖电影就像个大帐篷
With room for a circus full of attractions.
里面充满了各种吸引人的事物
Outrageous slashers...
疯狂的砍杀电影...
Apocalyptic comedies...
末世的喜剧电影...
Cringe inducing body horror...
令人不适的身体恐怖片...
But many of us first came to the genre
但是许多人第一次接触这个类型
For the monsters.
都是从怪物开始
乔·丹特
导演 代表作《小精灵》
When you're a kid, you want monsters,
在你的小时候,你只想看怪物
And the more monsters the better,
怪物越多越好
And if they've got zippers up their back,
如果这些怪物背后带着拉链
That doesn't matter
那也没关系
As long as they're-as long as they're monsters.
只要他们还是怪物
导演：爱德华·L·卡恩
《外星恶客》(1958)
Later you get a little bit more discerning,
长大点之后开始有洞察力了
And you start to realize maybe the less you see the monster,
你开始发现怪物现身的戏份越少...
The scarier he might be.
这个怪物就越吓人
There may be no better example
逐渐展现怪物身形的力量
Of the power of slowly revealing a monster
其最优秀的例子
Than ridley scott's "alien."
莫过于雷德利·斯科特的《异形》
导演：雷德利·斯科特
《异形》(1979)
比尔·哈德尔
演员 代表作《小丑回魂 II》
"alien" was the first movie I saw
《异形》是我第一部...
That I legitimately thought I had a disease afterwards.
看完感觉自己生病了的电影
It made me so incredibly anxious and uncomfortable.
这让我陷入深度的焦虑与不安之中
It was all about the mouth inside the mouth.
都怪那张嘴里套着的嘴
杰克·布莱克
演员 代表作《金刚》(2005)
That shiny slick chrome dome
还有亮闪闪的金属质感头顶
With the mouth that comes out.
那张伸出来的嘴
Get out of the room!
快点出去!
"alien" grew out of a film called "dark star"
《异形》源自于一部叫做《黑星球》的电影
Made by two promising usc film students,
由两位未来可期的南加州电影学生拍摄
John carpenter and dan o'bannon.
那就是约翰·卡朋特和丹·欧班农
O'bannon took his comedic premise,
欧班农将他充满喜剧色彩的前作
Bedraggled astronauts doing battle with a monster
几个宇航员在一艘破飞船里
In a beaten up spaceship,
被迫与一只怪物交战的故事
And turned it into one of the scariest screenplays
改造成了影史上最恐怖的
Of all time.
一部剧本
"alien" tells the story
《异形》的故事讲述了
Of a commercial starship crew
一队跑贸易的商船船员
Diverted from their mission
偏离了他们的任务路线
By a mysterious order from their employers
一个由他们的雇主“公司”
Known only as the company.
所安排的神秘任务
Seems she has intercepted a transmission of unknown origin.
看来她拦截到一段来源未知的发信
She got us up to check it out.
她唤醒我们来查看一下
A transmission? Out here?
一段发信?从哪里来的?
Yeah.
是呢
The film's main characters
电影中的主要角色有
Are beleaguered captain dallas,
陷入困境的船长达拉斯
No nonsense warrant officer ripley,
不说废话的安全官雷普利
And ash, the science officer with a hidden agenda.
还有艾什,一位带着隐秘目的的科学官
They come upon these eggs on a planet,
他们在一颗星球上遇到了一些卵
And while exploring, one of them is infected.
在探索的过程中有一个人被感染了
The creature,
那生物...
Which would come to be known as a facehugger,
现在被人熟知的名字是“抱脸虫”
You know, has attached itself to his face,
虫身紧紧地贴附在他的脸上
Nobody knows what's going on,
没人知道发生了什么
And then of course, all hell breaks loose.
当然不久之后一切似乎没事了
good god.
我的天啊
The crap's gonna eat through the hull.
这玩意会蚀穿船体的
The performances in that movie are phenomenal.
那部电影中的表演真是太棒了
I mean, the famous chestburster scene,
特别是那场著名的破胸场景
It is--I think the reason it's so potent
这是...我认为它如此有力的原因
Is because of the lead up to it feels so natural,
就在于这场戏的铺垫感觉如此自然
Making it feel so familiar to you.
让人感觉非常亲切熟悉
The food ain't that bad, man.
没有那么难吃吧,伙计
You've been in a restaurant, you've been in a diner,
谁都去过餐馆,谁都去过食堂
You've seen somebody, maybe someone started choking,
谁都可能看到有人噎住了
Or someone has a heart attack.
或者有人心脏病发了
That panic, it taps into that, and then it takes it into,
电影抓住了那种恐慌感,并进一步发挥
"what if a thing burst out of the..."
“如果有东西从胸口...”
It takes it to this other level,
这让电影上升到不同的层次
Which is, um, so brilliant.
这实在是太棒了
Oh!
天啊!
Oh, god!
天啊! 上帝啊!
It's obviously this kind of perverse
这很明显是某种
Gender reversed birth scene, right?
性转版本的生育现场,不是吗?
The crew learns the hard way that,
船员们以惨痛的代价发现
An insect, the monster undergoes
这个怪物仿佛昆虫一般
A dramatic metamorphosis,
戏剧化的变态发育
And to their bosses, it's a valuable commodity.
对于他们的雇主来说,这是一件贵重商品
They have no way
他们无法理解
Of understanding what they're up against.
自己所面对的是什么
The corporation is hiding it from them.
因为“公司”将他们蒙在鼓里
The only person on the crew who understands
船员之中唯一知道真相的人
Is the--the robot, the ai guy, you know,
就是那个人工智能机器人
Whose lying the whole time.
从头到尾一直在欺骗他们
The company views its employees
公司将其底层雇员
布莱恩·富勒
编剧/主创 代表作《汉尼拔》
As expendable, but...
视为可以抛弃的卒子
The creature, which is not even a person
但是那生物...甚至不是一个人
Or being of any kind,
也算不上任何一种人格
Is more valuable than the people
居然比他们雇佣的人命
That they have employed.
更加珍贵
There is an explanation for this, you know?
这一切都是有原因的,知道吗?
"alien's" dark view of labor relations
《异形》对于劳工关系的黑暗解读
Was a challenge to the status quo,
这对现代社会的状况是一种挑战
As was the film's disturbing production design
同样具挑战性的还有电影的美术设计
Which powerfully associated sex with death.
与性和死亡有着强有力的联系
H.R. Giger's biomechanical designs
H·R·吉杰尔的生物机械美学
Played on the audience's deepest sexual anxieties.
挑战着观众们内心深处对于性的焦虑
There's this freudian term "overdetermination."
有一个弗洛伊德学派概念叫“多因决定论”
An object in a dream
梦中的一个物体
May have 15, 20, 1,000 different meanings.
可能带有十五种,二十种,甚至上千种意义
"alien" is probably the--the greatest example
《异形》大概是一部电影的...
Of a movie that's overdetermined
多因决定论最好的例子
In every possible direction,
在每种可能的情况中
Because you have this space ship
因为这艘飞船本身
That is basically shaped like
外形基本上就是
The lower half of a woman's body
女性人体下半身的结构
With this vast vaginal opening in it,
其中有一个巨大的阴道开口
And inside this vaginal opening are these eggs
阴道开口内部栖息着这些卵
That pop open and reveal these marauding penises
卵破开之后钻出这些劫掠性的阴茎
That impregnate people through their mouths
通过人类的嘴巴使人受孕
And make them burst open
并让后代破胸而出
And give birth to further marauding penises.
生出更具有劫掠性的阴茎们
This is the essence of overdetermination.
这简直就是多因性的精华所在
There's-how do you pick this apart?
关系紧密到根本没法分开
The film's sexual politics,
电影的性别政治因素
Subversive for its time,
对当年时代的颠覆性
Are embodied in the figure of ripley,
都表现在雷普利这个角色上
Played by "alien's" breakout star, sigourney weaver.
由从《异形》走红的西格妮·韦弗扮演
"alien," 1979,
1979年的《异形》
马克斯·布鲁克斯
作家
Had a female hero. An unexpected female hero.
让一位意想不到的女性英雄做主角
Who gets to go into the vent? I do.
- 谁去爬通风管?- 我来
No.
不行
Ridley scott sets up the movie
雷德利·斯科特对电影的设定
Where dallas is the hero until dallas is killed.
在达拉斯死之前都是以他做主角
Wait, the other way! [beeping]
等等! 另一边!
dallas?
达拉斯?
So that movie completely flips
所以电影在这里完全反转了
In a way most movies couldn't even have imagined back then.
这是那时的电影所无法想象的
Ripley becomes the iconic hero.
雷普利成为了标志性的主角
By the end,
到了结尾
Only ripley is able to escape the doomed spaceship.
只有雷普利逃出了这艘噩梦飞船
But the greatest test of her heroism is yet to come.
但对她最严峻的考验还没到来
I think it is one of the most terrifying scenes
我觉得这是历史上最令人恐惧的场景
In any movie is that last part of "alien."
就是《异形》的最后一部分
When she's alone in the--in the escape pod,
当她独自一人在救生舱里
She's gonna go to sleep, it's gonna be fine,
她正准备休眠,一切都要好起来了
And then she realizes the alien's in there,
然后她发现异形就在舱内
And that it's in the wall.
就嵌在墙里
It's like getting in your car
简直就像正要启车时
And realizing there's a big python in the backseat,
发现车的后座上有一条巨蟒
And you turn around,
然后你回过头
And the thing just starts to kinda uncoil,
这条长虫正在苏醒伸展
And at some point, it's gonna realize
不消多久它就会发现
I'm in--in the car with it. [laughs]
我也在车子里
And this is not gonna be good.
而这一切看来不妙
What do I do?
我要怎么做?
You know, it's just one of those wonderful, like,
这就是那种隐藏得非常好的
So well-conceived moments of horrific suspense.
恐怖电影中的悬疑时刻
And what a beautifully paced film.
真是一部节奏张弛有度的电影
It was so slow and patient and quiet
它的推进非常缓慢,耐心而安静
And still,
然而
And uh, always that-that trembling horror
总是能带着那种...令人颤栗的恐惧
Beneath the surface.
藏在表象之下
One alien trapped on one spaceship
一只异形困于一艘飞船上
Is frightening enough...
已经足够恐怖...
But what if a horde of alien monsters
如果是一群外星怪兽...
Overran earth?
统治了地球呢?
导演：拜伦·哈斯金
《世界大战》(1953)
导演：瓦尔·杰斯特
《夸特马斯实验》(1955)
Monsters from outer space invading planet earth.
外太空的怪物来侵略地球
导演：纳森·朱兰
《金星怪兽》(1957)
They've been a staple of horror movies
这从五十年代以来就是
导演：艾尔文·伊沃斯
《幽浮魔点》(1958)
Since the 1950s.
恐怖电影定式
导演：罗杰·科曼
《异形征服世界》(1956)
导演：威廉·卡梅伦·孟席斯
《火星人入侵记》(1953)
And just when you think it's all been done...
就在你认为没有新内容可拍时...
Someone comes along
有人想到了...
And breathes new life into the genre.
并且为这个类型带来了新的生气
Someone like john krasinski
比如约翰·卡拉辛斯基
With his wildly successful film,
和他大获成功的电影
"a quiet place."
《寂静之地》
The plot of "a quiet place"
《寂静之地》的故事
Is that a new invasive predatory species
讲述了一种全新的入侵捕食者物种
马克·布鲁克斯
作家
Has attacked the human race.
席卷了整个人类种族
And these new creatures hunt us
这些新的生物会捕杀我们
And have exterminated, probably most of us
并且已经消灭了大多数人口
And they have done it through sound.
他们就是通过声音捕猎的
So the only way humans are going to survive
所以人类存活的唯一方式
Is if they stay quiet,
就是别出声
And we follow a family which is trying to survive
视角跟随幸存下来的一家人
On the fringes of the planet,
在偏远之处艰难生活
Trying to carve out an existence in a farmhouse
希望能开辟一个世外桃源
In a world where we are no longer
在这个人类跌落食物链顶端
The top of the food chain.
的世界里
You're immediately thrown into this world
你会立刻沉浸到这个世界中
瑞安·图雷克
制片人 怖屋监制出品
Where you got john krasinski, emily blunt, and their family
约翰·卡拉辛斯基,艾米丽·勃朗特还有他们的家人
Who are just-they've got a ritual now.
他们现在已经形成 某种仪式
Like, they have a ritual to their day to day life,
一种日常生活演变的仪式
And I think the movie does it so brilliantly
我认为电影非常巧妙地
Showing you they only have to step on
展现了他们只能
These parts of the road, they can't step on that.
走这条路,不能走那条路
It's such an immersive film,
这是一部沉浸式的电影
That what-even as an audience member,
即使只是个观众,你所沉浸的世界...
What you're drawn in with is that you can't make a sound.
就是一点动静都不能出
Even the people eating popcorn next to you
即使身边的人吃爆米花的声音
Are making you jump.
也会让你吓一跳
伦纳德·马尔廷
电影评论家/历史学家
What I admire so much about "a quiet place"
我对《寂静之地》非常喜欢的一点是
Is that everything that happens
一切发生的事
And the whole--the whole setup of the movie is--is organic.
电影的一切铺垫都非常自然
The idea of sound
试想声音
Being the enemy really.
会成为人类的弱点
So having a deaf character in the movie is genius
安排一个耳聋的角色就非常巧妙了
Because conflict is immediately established.
因为冲突一下子就建立起来了
For much of the film,
电影中大部分时候
The monsters are only seen at a distance.
只能远远看见怪物的样子
They're mysterious and unstoppable.
他们神秘莫测,势不可挡
When you can't see them clearly,
当你无法清楚看到时
Your imagination goes to work.
你的想象力就开始补上了
What must they be like?
它们会是什么样子?
How revolting are they?
它们长得有多恶心?
"a quiet place" creature, at the end of the day,
《寂静之地》中的生物,总的来说
Was an extremely fast, you know,
有着极快的速度
内维尔·佩吉
生物设计师 代表作《寂静之地》
A blur of-of just limbs going by.
只有模糊一团的形体略过
So we looked at all sorts of creature forms,
于是我们研究了各种生物形态
Proportions, to try and find the right one for john.
...形体比例,想要为电影找到合适的形象
I saw those elements that he happened to like,
我发现一些生物碰巧有着
These long attenuated front legs
纤长而细瘦的前腿
And kinda like that hyena low squat with the hind legs.
姿势有点像鬣狗用后腿蹲缩着
To survive, the film's heroes
为了生存,电影的主角们
Have to find the monsters' hidden weakness.
必须找出怪物隐藏的弱点
There needs to be an achilles' heel.
怪物一定要有阿克琉斯之踵
If you can't kill it, then well, there's no real story.
如果杀不死它,就没有故事可言了
The achilles' heel of this creature
这个怪物的致命弱点就是
Was the fact that it was a giant ear.
它有着巨大而灵敏的耳朵
Having this achilles' heel allowed there to be a way
致命弱点使得可以想办法
To have a narrative arc that we have this discovery,
创造故事弧来完成对弱点的发现
And we have a weapon now to hopefully take them down.
现在我们有了也许能击败它们的武器
And there's such an emotional charge at the end
而且在结尾处有着情感上的冲击
When emily blunt and her daughter
就在艾米丽·勃朗特和她女儿
Discover how to take these things out.
发现如何干掉这些怪物时
I saw the movie at south by southwest
我在西南偏南电影节看了这部电影
And when she cocks that shotgun,
当她给猎枪上膛那一刻
The entire audience lost their minds
全场的观众都疯狂了
Because what krasinski did so well
因为卡拉辛斯基厉害之处就在于
Is just take you on a very strong emotional journey
带你走完了一趟非常有感染力的旅程
And made it a great creature feature as well.
并且出色地安排了怪物的戏份
"a quiet place" had a message about humanity
《寂静之地》传达了一则关于人性的信息
That is now more relevant than ever.
而且非常符合当下的时宜
What will save us in the end from destroying ourselves
能够拯救我们于自我毁灭的
Is our ability to adapt.
只有适应变化
Most species cannot do that. We can adapt to a new paradigm
大部分物种无法做到,但我们可以
Especially when survival is on the line.
特别是生死攸关的时候
The aliens in "a quiet place"
《寂静之地》中的外星生物
Were forces of unstoppable evil.
是势不可挡的邪恶力量
But one of the most famous monsters of all time
但是有史以来最著名的怪物之一
Is neither good nor evil-he's simply kong.
是既非正又非邪的...金刚
He was a king in the world he knew,
他在他的世界里是绝对王者
But he comes to you now a captive.
但现在被俘而带到你们面前
Ladies and gentlemen,
女士们先生们
I give you, kong, the eighth wonder of the world!
接下来请看世界第八大奇迹：金刚!
From his star making first appearance in 1933...
从1933年的一炮成名...
To his latest incarnation
直到最近的重新演绎
As an enormous hairy superhero...
作为身形巨大的超级英雄...
King kong has captured the imagination
金刚俘获了一切怪兽爱好者的
Of every monster lover.
狂热喜爱
What explains his enduring appeal,
那么为什么金刚能够经久不衰?
And why, despite its dated special effects,
还有为什么即使特效技术过时
Is the original "king kong"
原版的《金刚》
Still considered one of the greatest monster movies
依然名列有史以来最伟大的...
Of all time?
怪兽电影之一?
The original 1933 kong is-it's the beatles.
1933年的原版金刚简直就是甲壳虫乐队
达纳·古尔德
主创 代表作《降魔警探》
You know? It's elvis presley, it's...
就是猫王级别的人物
This is what this is.
这才是原版
This is the best version of this thing.
这才是最棒的版本
The story is simple.
故事非常简单
A movie producer takes a film crew
一个电影制片人带着摄制组
To an uncharted tropical island
来到了一个热带小岛
And discovers the ultimate special effect.
想开发终极的特效技术
The towering ape-like monster
那就是巨型猿形怪兽
The natives call kong.
被原住民称为金刚
We came here to get a moving picture,
我们来这里是想拍电影
And we found something worth more
但我们发现了比全世界的电影
Than all the movies in the world.
都更有价值的东西
He captures kong and takes him to new york
他俘获了金刚并将他带回了纽约
Intending to exploit him for profit.
想要从他身上榨取利益
Kong escapes but is undone
金刚试图逃脱未果
By his affection for a dazzling starlet.
只因对一位美丽女星的爱慕
In the early 1930s, no one had ever seen anything like it.
在三十年代初,没人见过这样的电影
"king kong" was a smash.
《金刚》大获成功
Even though it was made in 1933,
尽管拍摄于1933年
鲍勃·穆拉夫斯基
剪辑师 代表作《金刚：骷髅岛》
The effects,
那效果
The stop-motion animation of the king kong character
威利斯·奥布莱恩所设计的
By willis o'brien is just really incredibly entertaining.
金刚的定格动画式特效非常可观
You know, he fights a giant snake.
他与巨蛇缠斗
He fights an allosaurus.
他与跃龙激战
He fights pterodactyl.
他还与翼龙战斗
There's all kinds of great shots
电影里有各种绝佳的镜头
Of people being crushed by king kong's foot.
人们在金刚脚下粉身碎骨
He's eating people.
他还吃人
He's destroying things.
他毁灭一切
So it's really a movie that really delivered.
电影非常有感染力
罗布·赞比
导演 代表作《千尸屋 III》
There was something dark about it.
电影中有很多黑暗的桥段
The black and white just makes it otherworldly,
黑白电影的形式使人有异域感
And it's the weird sexual edge of it
而且其中带着奇怪的性吸引
With kong and, you know, ann darrow.
在金刚和女演员之间
None of the other movies ever came near it.
没有任何电影敢尝试这个领域
When you look at the white woman in peril,
当你看见一个白人女性遇险
Which was such a big deal
而且在《金刚》那个年代
Back in the era when "king kong" was made,
是件不得了的事情
This idea black male energy as a menace
这种把黑人男性当做威胁
And as a menace specifically to white women,
特别是当做对白人女性的威胁
And "king kong,"
片名还叫《金刚》
It seems kind of obvious that there are racial undercurrents.
其中种族的暗喻还是比较明显的
It's complete metaphor
这完全是个暗喻
昆汀·塔伦蒂诺
编剧/导演 代表作《无耻混蛋》
For the tribulations of the black male
对于美国白人社会上
In american white society.
黑人男性经历的苦难
在这趟航行中,我被锁链铐着吗?
导演：昆汀·塔伦蒂诺
《无耻混蛋》(2009)
是的
当我到达美国后,也是被锁着示众的吗?
是的
我是不是美国黑鬼的故事?
不是
那我肯定是金刚了
I know a lot of people watched "inglourious basterds"
我知道很多人看过《无耻混蛋》
And after that card game,
在看到那场游戏之后
People went back, and they rewatched the film
人们回去会再看一遍《金刚》
In a way that they never had before.
并且有了全新的理解
I'm sure there's quite a few subtextual writers
我敢肯定已经有几个爱夹私货的编剧
Who've written about it before "basterds."
在《无耻混蛋》之前就这么写过了
I'm not saying that you were the first one
我不是说你是第一个
To write about it. Yeah, yeah.
这样写的人
But you were the first one to put in a pop culture movie...
但你是第一个把它放在流行文化电影中的
Put it in a pop culture... That has nothing to do
这和《金刚》还有对黑人奴隶的暗喻
With king kg or subtextual slavery.
就没什么关系了
Yeah, yeah.
是的,是的
You're just watching this war movie,
观众正在看这部战争电影
And suddenly you get this nugget of information
突然之间就收到了这个小信息
That really stuck with a lot of people.
这会卡在很多人脑海里
Kong of 1933
1933年的《金刚》
Was created using stop-motion animation.
利用了定格动画手法
Small figurines were fabricated, posed,
通过制作出小模型,摆出姿势
And photographed one frame at a time,
并一帧一帧拍下来
By cinematic pioneer willis o'brien.
由电影先驱威利斯·奥布莱恩制作
The true auteur of "king kong"
《金刚》真正的风格导演
Is willis o'brien.
是威利斯·奥布莱恩
Because if you look at
因为如果你仔细看
The original posters of "king kong,"
《金刚》原版的海报
Kong is far more a monster
金刚要更像野兽
And like, he has teeth, that like--
他有獠牙,仿佛是...
Almost like a saber-toothed tiger.
仿佛有剑齿虎的长牙
Yeah, canine teeth, yeah. The canine, rrr!
那种犬牙,非常凶猛
Willis got rid of all of the monstrous touches,
威利斯舍弃了所有这些猛兽的特质
And the whole idea
整个形象的方向
Was to make him as human as possible,
就是尽可能地让他更像人类
And so we respond to kong,
所以我们才能与金刚共情
Not as monster, but as a true character.
不是当做怪物,而是有血有肉的角色
That is why
这就是为什么
That movie not--not just a movie about a giant monkey.
那部电影讲的绝非只是一只大猴子
It's a character that has survived since the '30s
这是一个从三十年代存活下来的
As a pop cultural icon.
流行文化符号
"king kong" was so iconic
《金刚》如此有象征性
That no one dared to remake it
以至无人敢于翻拍
Until maverick producer dino de laurentiis
直至标新立异的制片人迪诺·德·劳伦提斯
Mounted a production in the mid-1970s.
在七十年代启动了一部电影
杰克·布莱克
演员 代表作《金刚》(2005)
My relationship with king kong is--
我与金刚结缘是从...
Started really with-with the '70s "king kong"
是从七十年代版的《金刚》开始的
With jeff bridges and jessica lange.
是杰夫·布里吉斯和杰西卡·兰格
That was amazing to me as a kid.
我小时候觉得特别棒
"king kong" is mostly played by rick baker
片中的金刚大部分时候是里克·贝克扮演
Who is an incredible makeup artist.
他是一个不可思议的特效化妆师
One of the great guys
非常厉害的家伙
And built this incredible ape suit
而且制作了一件非常棒的怪兽服
And really played the character of kong.
并且演出了金刚的性格
唐·曼西尼
主创 代表作《鬼娃回魂》系列片
He wore the mask, and of course, the eyes were his
他戴上了面罩,他的双眼就是金刚的双眼
With contact lenses, and I think that was really key.
戴着瞳片,我认为这就是关键所在
You know, everything else, the facial movements,
所有的一切,面部表情
All of that was done via animatronics.
所有都是通过机械操作达成的
In 2005, director peter jackson
到了2005年,导演彼得·杰克逊
Released a lavish remake of "king kong"
拍出了一部奢华的《金刚》翻拍
Using photorealistic digital effects.
用到了如照片般的数字特效
I had the time of my life
我在彼得·杰克逊的
Working on peter jackson's "king kong."
《金刚》片场工作的日子真是太开心了
It was his, like, love letter to this old masterpiece.
这就像是写给旧作的一封情书
Jackson's kong was in a way
杰克逊的金刚某种程度上
Played by another man in a suit--
也是由一个穿着特制衣服的人演的
A motion capture suit worn by actor andy serkis.
是由安迪·瑟金斯穿着动作捕捉服饰演
Serkis's performance was painted over by a computer
瑟金斯的表演由电脑渲染
Then placed in digital environments.
然后再置于数字构建的环境中
The technology had changed,
科技更新换代
But the story followed the same tragic arc.
但故事依旧遵循着悲剧的走向
I don't think of king kong as a monster
我不认为金刚是一个怪物
Because you love him.
因为你会爱上他
He's--he's got--he's got a sweetness to him.
他心中留有某种美好
You kind of root for him,
你会站到他的那一边
And the real monsters are those bastards shooting him.
真正的怪物是开枪射他的那些人
Well, gentlemen, the airplanes got him.
先生们,战斗机把他打倒了
Oh, no. It wasn't the airplanes.
哦不,不是战斗机打的
It was beauty killed the beast.
是美人杀死了野兽
But no monster with good box office truly dies.
但是有票房赚的怪兽绝不会死透
导演：乔丹·沃格特-罗伯茨
《金刚：骷髅岛》(2017)
"kong on skull island." like, I watched it,
我看了《金刚: 骷髅岛》
And I thought, "these fight scenes when he's fight--
我当时觉得,那些他的打斗场面...
Are so spectacular..."
真的是太棒了
"but I feel like I don't care
但是在观看时
That I'm watching it at the same time."
我并没有什么感觉
Like, it looks incredible,
就是,确实很壮观
But I think it just looks so incredible
但是我认为这种壮观
That it's, you know, it's kinda like...
就是那种感觉..
Sometimes you see an old black and white photo
有时候看到一张黑白老照片
That's out of focus,
还虚焦了
And there's just something about it.
但是就是有种特别的感觉
Each remake of it comes out
每次有翻拍上映
And within ten years it is made obsolete.
不出十年就显得过时了
Because all their special effects have moved on,
因为那时所采用的特效技术过时了
And now it's a whole different thing.
而现在又是新的技术了
But the original "king kong" always will be a go-to
但是最原初的《金刚》永远是必看的
To both film fans, children seeing the movie,
无论是影迷,还是新生代
Anything.
一切皆是
It took decades for other giant creatures
直到十几年后,才有另一只巨兽
To challenge king kong's place on the monster throne.
敢于挑战金刚在怪兽宇宙的王位
When they came, they came in droves.
而且一来就是好几个
The japanese hae a word for them...
在日语中他们被叫做...
Kaiju.
“怪獣”
Giant monsters.
巨型怪兽
Oversized and unstoppable, the spawn of the atomic age
身形巨大且势不可挡,是原子时代的产物
Have rampaged across movie screens for nearly 70 years.
已经在大银幕上肆虐了近七十年
You know the atomic bomb brought world war ii to an end,
大家都知道原子弹给二战画上了句点
大卫·J·斯卡尔
作家 代表作《魔鬼秀：恐怖电影文化史》
But on one level, it didn't.
但某种角度看并没有
It was just the beginning of new anxieties
这只是开启了新时代的焦虑
And new fears
还有新的恐惧
And the prospect of an even more terrifying war to come.
并且展现了未来战争更恐怖的一面
This was where the very new and original
这是全新而原创的类型
Kinds of, uh, fright films of the 1950s
大概是五十年代的惊悚片
Came from--atomic anxieties.
来自于原子武器焦虑
Five, four, three,
五,四,三
Two, one.
二,一
To japanese audiences,
对日本观众来说
The nightmarish imagery of ishiro honda's "godzilla"
本多猪四郎执导的《哥斯拉》
Was a jarring reminder of a national trauma.
是为国殇响起的刺耳警钟
It was made just after nine years
距电影上映仅九年前
After atomic bombs leveled the cities of hiroshima
原子弹扫平了广岛和长崎
And nagasaki.
繁华的城市
The film begins
电影开始时
When an h-bomb test rouses godzilla...
一发测试用氢弹惊醒了哥斯拉
A radioactive monster
一只辐射怪兽
Addicted to mass destruction.
大肆破坏成瘾
Haunted scientist, dr. Serizawa,
饱受折磨的科学家芹沢博士
Has invented a device that could stop the monster
发明了一种能够阻止怪兽的装置
But he's afraid his invention
但他害怕自己的发明
Will be turned into another super weapon.
会再次被当做超级武器
如果被用作武器...
它会像氢弹一样使人类灭绝
It was a very somber film,
这是一部非常阴郁的电影
And there was nothing campy
最初的那部哥斯拉电影
About that very first godzilla film.
没有任何戏谑成分
It's a very disturbing film, even today.
即使今天看来也是部令人不安的电影
In the end, serizawa kills the monster and himself
在电影的结尾,芹沢与怪兽同归于尽
Taking his lethal invention to his grave.
并将他的致命发明带进了坟墓
芹沢！芹沢！
乔·丹特
导演 代表作《小精灵》
This was a movie that really caught the zeitgeist of japan,
这部电影正击当时战后日本的
Postwar japan,
社会命脉
And it's interesting that none of the other godzilla pictures
有趣的是后来任何一部哥斯拉电影
Are as serious as the first one.
都没有第一部这样严肃
导演：本多猪四郎
《金刚大战哥斯拉》(1962)
They're all kind of stepping on tanks, you know, basic.
后面的都是踩踩坦克那种基本操作
"godzilla's" enormous popularity
《哥斯拉》在票房方面
At the box office brought the monster back to life
获得的巨大热度让这只巨兽死而复生
For a series of entertaining
接连推出数部虽具娱乐性
But increasingly outlandish sequels.
但越来越古怪的续作
With sequel after sequel
续集一部接一部
And reappearance after reappearance,
怪兽一次又一次卷土重来
Uh, godzilla ultimately became
哥斯拉最终成为了
A kind of a creature of-of fun.
一种仅为娱乐向的生物
导演：本多猪四郎
《战龙哥斯拉之怪兽总进击》(1968)
Only then to be, uh,
而到了最近才作为
Resurrected as a terrifying monster again.
令人闻风丧胆的怪兽而复活
导演：迈克尔·道赫蒂
《哥斯拉 II：怪兽之王》(2019)
So it's like there's a pendulum swing
仿佛每一种怪兽在作品中
With--with monsters.
风格都是不断变化的
Godzilla used the figure of the monster
哥斯拉的怪兽形象
As a stand-in for manmade disaster.
成为了人为灾难的替罪羊
The same can be said of "cloverfield."
《科洛弗档案》可谓异曲同工
瑞安·图雷克
制片人 怖屋监制出品
"cloverfield" is probably one of my favorite monster movies
《科洛弗档案》恐怕是我近几年看过
Of recent memory.
最爱的怪兽电影
Take "godzilla" but filter it through a found footage movie
给《哥斯拉》戴上伪纪录片的滤镜
And make it feel very grounded and feel very real.
让电影看起来真实而接地气
"cloverfield" tells the story
《科洛弗档案》讲述了
Of a group of friends trying to survive
几个朋友试图在一场
A giant monster attack on new york city.
纽约的巨兽袭击中存活下来
The shaky handheld footage is unmistakably similar
晃动的手持摄像无疑与
To the videos shot during the terrorist attacks
2001年“9·11”恐怖袭击事件中的
Of September 11th, 2001.
影像风格相似
The cloverfield monster was an all cgi creation
科洛弗怪兽是完全由CG制作的
Conceived by producer j.J. Abrams
由制片人J·J·艾布拉姆斯提出
And designed by producer neville page.
并由内维尔·佩吉进一步设计
内维尔·佩吉
生物设计师 代表作《科洛弗档案》
J.J. Didn't really specify at the beginning anything
JJ一开始并没有什么具体的想法
Other than he wanted it to be large and terrifying.
只想让这个怪兽巨大而恐怖
It's a newborn, and this infant is horrified
这是个被吓坏了的新生儿
And afraid of this new world that's going on around him,
惧怕身边这个新世界所发生的事
And that gave us motivation to crash into buildings.
并因此开始冲撞摩天大楼
As it's turning around, it's clumsy.
它原地打转,笨手笨脚
It's just starting to develop its ability to walk.
才刚刚学会走路
They just hit! They hit it with--
打中了! 他们打中它了...
Oh, my god!
我的天啊!
Tapping into the memories of the chaos
通过勾起对“9·11”事件
Of the 9/11 attacks
那些混乱的记忆
Grounded "cloverfield" in real life horror.
让《科洛弗档案》成为接地气的真实恐怖电影
Oh my god.
我的上帝
And it gave audiences a safe way
并且让观众能够安然无恙地
To deal with national trauma.
学会应对国家级灾难
安德烈·艾弗道夫
导演 代表作《在黑暗中讲述的恐怖故事》
As a film maker, as a storyteller,
作为一名电影人,一个讲故事的人
Writer, or whatever it is,
一名编剧或无论什么
You will be fed with the emotions
你会充分被你
Of the world you live in at the time,
所在时代的情感浸透
And it will come out somehow creatively.
并会在进行创作的时候流露出来
Definitely the horror movies in general
特别是在恐怖电影中
And possibly also monsts more specifically
或者再具体点就是怪兽电影中
Are a product of their world.
作为它们所在世界的产物
In the paranoid world
而在这个多疑的
Of john carpenter's "the thing,"
约翰·卡朋特《怪形》的世界里
Anyone can be a monster in disguise.
任何人都可能是伪装起来的怪兽
In the early days of movies,
在电影的早期时代
导演：卡尔·伯泽/保罗·威格纳
《泥人哥连出世记》(1920)
Monsters were distorted versions of humans,
怪兽都是扭曲后的人类形象
Actors concealed under incredible makeup.
演员们都隐身于精妙的化妆之下
By the 1950s,
到了五十年代
The state of the art was the full body monster suit
最先进的技术是全身怪物装
As well as the giant creatures made out of papier-mâché.
同时巨型生物是由纸浆模型做成
In the 1980s, there was another seismic shift.
到了八十年代,技术发展剧变
New materials let special effects artists
新型的材料使得特效化妆师们
Upgrade the rubber monster suits with robotic parts
可以用机械元件代替橡胶怪兽服
Leading to amazing creations
并带来惊人的效果
Like stan winston's "pumpkinhead."
比如斯坦·温斯顿的《南瓜恶灵》
And the queen mother in james cameron's "aliens."
还有詹姆斯·卡梅隆《异形 II》中的女王
The era's crowning achievement
这个时代至高无上的成就
Was john carpenter's "the thing"...
莫过于约翰·卡朋特的《怪形》
What many consider
同时也是许多人心中
The greatest monster movie of all time.
史上最伟大的怪兽电影
12 men stationed in an antarctica weather base
12个驻扎于基地气象站的人
Find themselves under siege
发现自己被一个
By a shapeshifting monster.
仿形魔围困住了
It infiltrates the base disguised as a friendly husky,
它最初化身友好的雪橇犬混入营地
But this is a very bad dog.
但这可不是条好狗
格里高利·尼克特洛
执行制片人/导演 代表作《行尸走肉》
The creature effects were so mind blowing
电影中的生物特效制作简直难以置信
And so outrageous
而且匪夷所思
Because there were no rules to the monster.
因为这个怪兽毫无原则可循
So the first time that the dog goes into the kennel
所以在那只狗第一次进入狗窝时
And splits open and just starts turning into the--
并且一分为二开始变成一坨...
I didn't even know where to look or what to think.
我都不知道该往哪看该想什么
Special effects wizard rob bottin
特效巫师罗布·博汀
Created an ever-changing monster.
创造了一个一直在变化的怪物
An alien shape-shifter that absorbed bits and pieces
一个会变形的仿形魔,不断吸收
Of life forms from around the galaxy
宇宙中各种生物的碎块
And can imitate anything it touches.
并且能够拟态为任何所触之物
What's great about that film
《怪形》的伟大之处
内维尔·佩吉
生物设计师 代表作《科洛弗档案》
And the creature designs in "the thing"
还有里面生物设计的绝妙之处
Is the fact that
那就是
It's trying to evolve in a very short period of time,
这生物想在非常短的时间内进化
And each version, it's a bit of a mess.
而且每次进化都一团糟
And that's also what lends itself to be so horrifying
这也是这个生物的恐怖之处
Because if it came out as a fully resolved creature,
因为如果它完全进化为别的生物
I don't think that would've been anywhere near as scary
就绝不会像现在这样吓人
As these mutations that you felt the pain of it,
在这些畸变之中能感受到它的痛苦
Even an alien,
即使是外星人
That it's assimilating these people.
它也在理解消化这些人类
You felt the pain that it's not quite figured out how to be,
你能感受到它的困惑带来的痛苦
Uh, fully resolved.
无法完全变形
Trapped in a nightmare,
被困于噩梦中的几人
The men are consumed by fear and paranoia.
开始被恐惧和怀疑而侵蚀
Any one of them
任何人都可能
Could be the monster in disguise.
是伪装成人形的怪物
It all kinda deals with the fear of conformity
比尔·哈德尔
演员 代表作《小丑回魂 II》
这其实是对循规蹈矩的恐惧
But also trusting people.
还有人与人的信任危机
I think that's a thing that a lot of people fear,
这都是许多人所害怕的
You know?
是不是?
Trust is a tough thing to come by these days.
现在这年头很难信任别人
"the thing," for a film
《怪形》作为一部电影
埃德加·赖特
导演 代表作《僵尸肖恩》
That has some of the best monster effects of all time,
其中有着有史以来最棒的怪物特效
Even by today's standards,
即使以现代的标准看
Still the most tense scene
但最刺激的场景
Revolves around them giving a blood test.
还是轮番做血液测试那里
You see, when a man bleeds,
你看,当人流血时
It's just tissue.
这只是组织液
But blood from one of you things
但是那个外星人的血
Won't obey when it's attacked.
在受到攻击时就会反抗
Because you haven't seen, like, a massive, um,
因为你这辈子也从未见过
Shapeshifting monster in your lifetime,
这种巨大的仿形魔
But everybody's cut their thumb.
但是每个人都曾都割破过手指
Everybody knows what that feels like.
谁都知道这是什么感觉
They're seeing who's the monster,
他们想找出谁是怪物
And that's a beautiful analogy of, you know, life,
这是对于生命绝妙的类比
达纳·古尔德
主创 代表作《降魔警探》
Like, you know, the banality of evil.
邪恶可能看起来平平无奇
You could--the monster could be sitting right here.
恶魔可能就在你眼皮底下
Ted bundy looked like a normal guy.
泰德·邦迪看起来与常人无异
Palmer now.
现在是帕尔默
The climax is in such a great shock
高潮部分非常震撼
Where they're holding the petri dish.
他们拿着那个培养皿
It wasn't until I watched it for the third time
直到我看了第三遍
That I realized,
我才发现
"oh, this is like a fake hand that he's holding,"
“哦他那是像假手一类的东西”
And it's a fake hand because a monster is gonna go whaaaa
那是只假手,然后那怪物会暴起
Out of the petri dish.
冲出培养皿
We'll do you last.
我们最后测你
I've always been a big proponent of special effects
我一直拥护特效的应用
迪恩·康迪
摄影导演 代表作《怪形》
That are practical, that happen on the set.
那种在片场操作的实体特效
In "the thing" the chest that splits open
《怪形》在拍摄胸口张开那段时
Really sort of amazed everybody
在场所有人都被惊呆了
Standing around.
呆立在原地
Clear. Clear.
离手,离手
As a result, you get a reaction I think,
你能得到一种演员的反应
From the--from the characters and the actors
从角色同时也是从演员发出
That is a lot more significant
这比看着绿幕表演
Than if they were just looking at a green object.
要更加显著得多
For an aggressively violent film,
对于一部凶残而暴力的电影
"the thing" ends on a note of quiet paranoia--
《怪形》的结尾却安静而悬疑
Two men about to die,
两个奄奄一息的人
Neither one sure if the other is the monster.
谁都无法确定对方是不是怪物
Won't last long though.
也撑不了多久了
Neither will we.
我们都是
"the thing" is now considered a classic,
《怪形》现在已成为经典之作
But the film's horrific imagery did not go over well
但在1982年,电影恐怖的画风并不能
In 1982.
被人接受
Well, "the thing" had the unfortunate bad luck
《怪形》的运气实在不好
乔·丹特
导演 代表作《小精灵》
To come right after "e.T.,"
档期紧跟着《E.T.外星人》
And people were looking for lovable aliens,
人们本来想看可爱的外星人
And they certainly didn't get any in "the thing."
这在《怪形》里当然找不到
I just remember how devastated everybody was
我还记得看完的人们有多绝望
That the picture didn't-not only didn't it open,
电影不仅没有爆红
It got bad reviews.
还得到了差评
People were saying, you know,
人们都说些诸如
"this is--this is practically pornography,
“这简直跟色情电影一样”
This is so violent."
“这太暴力了”
Honestly, it's stood the test of time
而电影经受住了时间洗礼
And now, you know, people have a chance to appreciate it.
现在人们有机会正视它了
Today the ever-improving quality
现今不断进步的
Of digital effects makes it possible
数字特效技术
To bring even stranger monsters to the screen...
让更加诡奇的怪兽得以呈上大银幕...
Drawn from the darkest parts of our psyches.
源自我们内心最黑暗的角落
Stop following me!
别再跟着我了!
I'm gonna-I'm gonna get you outta here.
我会救你出来的
Two recent films, "it chapter two..."
两部近期的电影《小丑回魂 II》
And "scary stories to tell in the dark..."
和《在黑暗中讲述的恐怖故事》
Are the state of the art of modern monster movies.
是现代怪兽电影的技术先锋
Both tell supernatural stories
两部电影讲述的都是关于人性恐惧的
About human fear,
灵异故事
And both blend practical effects with computer graphics
两部电影都将实体特效与电脑特效结合
To push creature design to the limit.
来让怪兽的形象突破极限
I know it's kind of in vogue to sort of crap on cg
我知道现在就时兴说CG不好
And just go to practical,
应该全都回到实体特效
But not all practical effects look great, you know?
但是并不是所有实体特效都效果好
克里斯·哈德维克
演员 代表作《千尸屋》
So it is finding the balance between the two,
所以关键在于找到二者之间的平衡
But when you solely rely on one or the other,
如果单独依赖其中一种
I do think they kind of need each other.
我是觉得二者也都需要对方
Adapted from the popular children's books,
改编自大热儿童畅销书
"scary stories to tell in the dark"
《在黑暗中讲述的恐怖故事》
Follows a group of teenagers who break into a haunted house
跟随几个闯进鬼屋的青少年
And discover a book that seems to write itself.
并发现了一本会自己写故事的书
Oh, my god.
我的天啊
Over the next five days,
在接下来的五天里
The unlucky teens fall victim
几个不幸的少年最终成为了
To a rogues' gallery of monsters.
一众怪物的受害者
安德烈·艾弗道夫
导演 代表作《在黑暗中讲述的恐怖故事》
It has all these amazing creatures
其中有许多令人惊奇的怪物
That stephen gammell drew for the books,
来自于斯蒂芬·加梅尔为此书所画的插图
And we just really made sure
我们非常希望
That what we put in the movie was that.
能将此原汁原味地搬进电影里
We didn't want to reinvent the wheel here.
我们不希望画蛇添足
One of the most innovative monsters
其中最具新意的怪物
In the film is the jangly man...
就是电影中的扭曲人
A creature that assembles and reassembles itself.
一个一次一次重新组装自己的怪物
The jangly man was really tough because we had to, like,
扭曲人的困难之处就在于
He was gonna be so twisty and body parts
他是由扭曲的碎尸拼凑而成的
And coming together and doing all this and that.
要让残肢合体之后有所行动
So the combination of real effects,
所以需要将实体特效
An amazing contortionist,
与一名柔术舞者结合
And some digital enhancements.
再用数字化特效增强效果
To create what we were hoping for--an iconic face
才能创造出我们希望成为的标志性形象
And design, then make that come alive,
让这个设计活过来
And there was a lot of challenges to that.
这其中面临了不少挑战
The monsters in "scary stories"
《讲鬼故》中的怪物们
Are all grotesque embodiments of teenage anxiety.
都是青春期焦虑诡异的实体化
From being suffocated
无论是因为
By a mother's love...
过度的母爱而窒息...
To being disfigured
还是因为
By the world's angriest pimple.
世界上最可怕的青春痘而毁容
Confronting the fears of youth
直面儿时的恐惧
Is also the central theme of "it chapter two,"
也是《小丑回魂 II》的主题
The sequel to andy muschietti's 2017 adaptation
安德斯·穆斯切蒂执导的2017年
Of stephen king's "it."
斯蒂芬·金《小丑回魂》改编作的续篇
give me fat boy.
胖小子快来
The now adult members of the losers club
已经成人的窝囊废俱乐部成员们
Return to the town of derry, maine
回到了缅因州的家乡德里镇
To do final battle against their childhood nemesis.
与他们童年时期的宿敌决一死战
Your dirty little secret...
你肮脏的小秘密...
Pennywise the clown.
小丑潘尼歪斯
Bill skarsgard once again
比尔·斯卡斯尔德回归
Plays the demonic shapeshifter pennywise.
扮演邪恶的变形怪潘尼歪斯
You're supposed to say three.
你应该数三了
With the help of cgi,
有了CGI特效加持
His body constantly twists and morphs
他的身体不断扭曲变形
Into terrible new shapes that match his victims' fears.
根据被害者的恐惧逐一变成新的形象
安德斯·穆斯切蒂
导演 代表作《小丑回魂 II》
I go practical as much as--as I can,
我尽量使用实体特效
But there's a limit,
但还是有极限的
And like, a lot of people complain about cg,
很多人会对CG特效抱怨
But cg can be great
但CG效果也可以很好
If you bring an original design
如果你的设计原稿
And it's, like, executed properly.
能够恰当地处理好
I tend to draw a lot.
我经常画很多手稿
All the creatures that appear in my movies, I sketch first.
所有出现在我电影里的怪物,我都先画出来
One creature effect calls back to a famous monster
其中一个怪物特效致敬了
Of the movies.
电影界中的名场面
I love horror movies.
我爱恐怖电影
I love--I grew up loving monster movies
我从小到大都喜欢怪兽电影
比尔·哈德尔
演员 代表作《小丑回魂 II》
And loving those kind of-those kind of films,
喜欢这些电影
And I was like, well, if you have a, you know,
如果你要让
Head that turns into a spider,
一个人头变成个蜘蛛
I mean, that's from "the thing."
这不是《怪形》里的吗
导演：约翰·卡朋特
《怪形》(1982)
And andy was like, "yeah, yeah, I know, yeah."
安迪说“对啊,对我知道的”
And we talked about it, and I was like,
我们聊了下,我觉得我该说
I should say... You gotta be [...] kidding.
你他妈的在逗我吧
And I remember we watched it on my phone,
我记得当时还在手机上看了原片
You know, to make sure we got the line right,
确定我们台词讲得没错
And I said it in the right cadence.
保证我的语气相同
You gotta be [...] kidding.
你他妈的在逗我吧
You're a weak old woman.
你是个孱弱的老太婆
At the epic conclusion
在《小丑回魂 II》的
Of "it chapter two,"
决战结局里
The losers club finds the monster's achilles' heel,
窝囊废俱乐部找到了怪物的罩门
And they turn their own fears against him.
并且将自身的恐惧转而对准了他
That's what both "it" movies are.
这就是两部《小丑回魂》的主题
It's about people living in fear
人们在恐惧中生存
芭芭拉·穆斯切蒂
制片人 代表作《小丑回魂 II》
And what the horrible things we do as--as human beings.
还有我们作为人类所做的恶行
Pennywise is
潘尼歪斯是
The representation of fear.
恐惧的代言人
That's why we make movies.
这也是我们拍电影的原因
We want to people to see these movies
我们希望人们看了这些电影
And try to understand
能够试着明白
That that's the worst thing we can do, live in fear.
我们最糟糕的情况就是生存于恐惧中
The monsters of the movies are from outer space...
电影中的怪物可能来自外太空...
The creations of magic...
可能是黑魔法产物...
Or the products of science gone wrong...
也可能是科技走向了歧途催生...
But whatever they look like and wherever they're from,
但无论它们外表如何,来自何方
At heart they are all walking, crawling,
最终他们都是行走的,匍匐的...
Or slithering representations of our very human fears...
或者吐着信子的人类恐惧的代表...
The fears we must face and defeat
是我们必须面对并战胜的恐惧
Less they consume us all.
不然则会被恐惧吞噬